THE BAFFLING 2018
The Baffling was a performance event at g39 in Cardiff that brought together artists and musicians to create a continuous soundtrack to a programme of live music, film, demos and readings. The Baffling explored the ritual of soundtracking, the nature of collectivity and redrawn relationships between film, sound and performance.
The event name has a double meaning; both the acoustic architecture to control sound, and a verb meaning to deflect, perplex or hoodwink. The event was cumulative in structure. It began with a prelude multi-screen film installation that took as its starting point the story of a partially sighted piano-tuner who trained on the Welsh borders. The architecture of this installation provided a stage for the performance events.
With artists Giles Bailey, Jamie Hammill, Nellie Saunby, Sophie Soobramanien, Kit Poulson and Amy Grace; musicians Corey Mwamba, Yvonna Magda and Matthew Lovett; and interventions from Claire Vaughan and Chris Brown and students of the Royal Welsh College of Music and Drama.
AN INTRODUCTION OF THE TONES
Video installation and live event – Finsbury and Islington Central library
with Alex Baker / Beverley Bennet / Rachael Finney / Kit Poulson / Mark Simms / Tom Ward 3 July improvising with AcCord film compilations. EVENT RECORDING
Twin monitors, DVD players, library trolley, headphone mixer, varnished log slices, strapping, assorted books Left & right mono mix of Mildmay AcCord sessions / 20 min loop
A performance event with Kit Poulson and his book MUTTER in collaboration with Alex Baker, Bellies!, Libita Clayton, Daniela Dyson, Claire Feeley, Rachael Finney, Samuel Hasler, Lizzie Lloyd, Wayne Lloyd, Robin Stewart, Book Works. Additional works devised by students from UWE Fine Art course.
A celebration of improvisation, collision and the subtle entanglements.
Radio show ‘NonDef:Soundtrack to a carehome’ Hoxton Radio
AcCord publication poster with texts by Lizzie Lloyd and Esther Collins (Cubitt). Design Des Behari
AcCord is an experimental documentary using soundtrack to radically reframe live-recorded interviews with an ageing community. The starting point for this film are conversations with residents of Mildmay Care environment in Central London. Shot within the rooms of Mildmay, the interviews unfold as a series of ultimately unexpected portraits, where the presence of the musician within the film unsettles the relationship between form and content.
GOING ALONG WITHOUT A BODY
Day festival by Benjamin Owen exploring sound-tracking rituals with invited artists : Iklectik 2017′
Going Along Without a Body brought together 8 artists and 8 musicians, together creating a continuous sound-track to a day-long programme of performances, talks, demonstrations and mind-altering music. In collaboration with David Raymond Conroy, Libita Clayton, Claire Feeley, Rachael Finney, Joseph Noonan-Ganley, Mary Hurrell, Claire Potter, Kit Poulson, RATTLE, Cath Roberts (LUME), Fame is the Spur, Anne Tallentire, Chris Fite Wassilak, Tom Ward and Residents of Mildmay. Poster Des Behari pdf
CONSTRUCTIVE NEUTRONS pdf
Constructive Neutrons is the result of a partnership between Worcester Museum and the Lantern Gallery at Worcester University. It is also a piece of music from the album Visions by Sun Ra and Walt Dickerson (1978). Exhibited as a three-screened video installation Constructive Neutrons is a musical celebration of the mercurial in a provincial museum.
Film collaborations with Kit Poulson, CHELSEA space, London 2017
‘ Painting, sound works and objects alongside a series of short films, a collaboration which explores improvisational practices well understood by musicians, alongside Poulson’s writing, the show explores a different way of thinking about libraries and archives, beyond fixed static spaces, but as dynamic, emotional spaces, sites of chance or extempore encounters.’
AcCORD SESSIONS 2016/17
73 Mildmay Care Environment Cubitt Community Studio Residency
AcCord is an experimental documentary using soundtrack to radically reframe live-recorded interviews with an ageing community. The starting point for this film are conversations with residents of Mildmay Care Home in Central London. Shot within the rooms of Mildmay Care Home, the interviews unfold as a series of ultimately unexpected portraits, where the presence of the musician within the film unsettles the relationship between form and content.
AcCord session #1 – CATH JESS WAR TALK PLAY SAX FILM GILES FILM TALK BEN 2016 03.34
AcCord session #2 – CATH JESS TALK TRADE SAX FILM GILES FILM TALK BEN 2016 01.35
Jessie King, Cath Roberts, Giles Bailey
G 0 / d f ”
G o / d f ” is a work that draws deeply on the artist’s interest in the layman’s relationship to politics, landscape, participation and performance. The film takes as its subjects an 84-year-old jazz musician named Dave Collett and a community of ladies that gather at the Carterton Women’s Institute, creating a double portrait rooted in the landscapes of suburban England. The film uses live-recorded sound to create striking juxtapositions with documentary footage, suggesting a re-imagining of political energy within these landscapes. The presence of musician Dave Collett stands in contrast to the pragmatism of the women in Carterton. A former RAF service man, Dave lives alone, and despite having Parkinson’s disease, when he plays music, he fully regains control of his body and his movements. Younger musicians improvise with Dave, cramming into his living room, kitchen and basement to construct a soundtrack that reframes the documentary elements of the film.
EXETER PHOENIX 2015 Artists Moving Image Commission and supported by Trinity Arts Bristol, Plymouth Arts Centre and Arts Council England.
epilogue / trailer 2015 – 03.37
A fairy tale by Kit Poulson ‘The first thing you noticed about him was the shine on his shoes, the second the shine on his nose. Ex-services definitely, attempts at casual clothing betrayed by too tight tucking, and sharp creases. Trousers a fraction shorter than others, craving boots. Life and body alternatively defined and dissolved by tides of polish and alcohol. He was tall but also bulky, and had folded himself with difficulty into a banquette.’ Design Des Behari
G 0 / D F ” – performance event and installed image Exeter Phoenix 2015
Gold David under drums the under 2015 03.46
Do with it as you will 2015 – Loop – Sound sample George MacKenzie
‘French Drain’ G 0 / d f ” performance event Spike Island 2015 — e.p (extended player/european park) 2014
european park / extended player
A film shot in Weston Super Mare and Owen’s hometown of Swindon over 12 months.
The film and installation presented a stripped back portrait of two townscapes and the emotional currents that animated their high streets.
Italian filmmaker Pier Paolo Pasolini noted that political protest is the degree zero of cinema – when a body of people come together to create an image and present their collective narrative. In Owen’s film, the march becomes symbolic of so much that has happened to England’s towns. The beat of anti-austerity protesters feet match the rhythm of aspirational shoppers parading down failing high streets. Mike, an ageing upbeat busker, fondly describes how he came to own a dog. Photographs of charity-shop objects take on the glimmer of museological objects. Claire Feeley
With Claire Feeley / Ben Trinkle / Markland Starkie / Nick Harrison / Tina Hitchens / George MacKenzie / Paul Jones and Mr Mike Elder
e.p 2014 – Performance event Spike Island Event document
Tell Little Frankie Bell 2015 – 01.41